Carnatic Violin
Dr Jyotsna Srikanth
The journey
Biography
Dr. Jyotsna Srikanth is one of the world's leading Carnatic violinists, composers, and pioneers in cross-cultural music, internationally acclaimed for taking South Indian classical music to audiences across the globe. A highly sought-after performer, she is renowned for her exceptional versatility, seamlessly bridging the worlds of Carnatic classical music, Western classical, jazz, world music, and contemporary genres. Jyotsna began her musical journey under the guidance of her mother, Smt. Rathna Srikantiah, from whom she learnt Carnatic vocal music. She later trained in Carnatic violin under the legendary seven-stringed violin maestro Sangita Vidyasagara Sri R. R. Keshavamurthy and gave her debut public performance at the age of nine. Expanding her musical horizons further, she studied Western classical violin with V. S. Narasimhan and was awarded a prestigious Fellowship from Trinity College of Music, London. A consummate musician, Jyotsna has performed extensively as a Carnatic soloist, accompanist and collaborative artist. She has shared the stage with some of India's greatest musicians, including the legendary Dr. M. Balamuralikrishna, and has earned widespread recognition for her ability to move effortlessly between diverse musical traditions while preserving the integrity of each genre. Over the past three decades, she has established herself as one of the foremost ambassadors of Carnatic music on the international stage. She has travelled extensively across Europe, North America, Asia, Africa and Australia, introducing Carnatic music to audiences far beyond its traditional concert circuit. Her performances have reached remote regions of Europe where many listeners had never before encountered South Indian classical music, and her dedication to presenting, explaining and contextualising this ancient art form has significantly contributed to its global appreciation and recognition. Alongside her classical career, Jyotsna has carved a unique niche as a composer and innovator, exploring the rich intersection between Indian classical music and a wide range of global musical traditions. Her compositions combine the melodic and rhythmic sophistication of Carnatic music with influences drawn from world music, jazz, contemporary classical music and global folk traditions. She has performed at many of the world's most prestigious concert halls and festivals, including The Music Academy, Chennai, BBC Proms at the Royal Albert Hall, Southbank Centre (Queen Elizabeth Hall), London, Barbican Centre, London, WOMAD (UK), Red Violin Festival (Wales), North Atlantic Fiddle Convention (Scotland), and numerous other internationally acclaimed festivals and venues across Europe, Asia and beyond. Her international reputation as both performer and composer has led to invitations from distinguished orchestras and chamber ensembles including the London Philharmonic Orchestra (UK), Mendelssohn Chamber Orchestra (Hungary), VMU Chamber Orchestra (Lithuania), Krystal Quartet (Sweden), Ligeti Quartet (UK) and Vindla Quartet (Sweden) to perform her original Indian Violin Concerto - Raga Seasons, a landmark work that beautifully integrates the language of Carnatic music with Western orchestral traditions. Jyotsna's collaborative projects have further established her as one of the most innovative Indian musicians of her generation. These include Nordic Raga - blending Carnatic and Swedish folk music; Raga Garage - combining Carnatic and Western classical violin traditions; Carnatic Connection - created with the renowned Bollywood Brass Band; and Maya Jazz - a unique collaboration with Balkan jazz musicians. These projects have received widespread appreciation for creating meaningful musical dialogue across cultures. Her critically acclaimed album 'Call of Bangalore', released on Riverboat Records, received outstanding international reviews, with 'fRoots' describing her as "a major instrumentalist of vision and imagination", while 'The Guardian' praised her as "an extraordinary and versatile violinist." As a recording artist, Jyotsna has released ten solo albums and has contributed violin performances to over 400 Indian film soundtracks, working with some of India's most celebrated composers, including Ilaiyaraaja Among the highlights of her distinguished career was her performance at the historic 'UK Welcomes Modi' celebration at Wembley Stadium, London. For this landmark event, she composed and performed original music with the London Philharmonic Orchestra before an audience of over 60,000 people during the visit of the Honourable Prime Minister Narendra Modi ji to the United Kingdom. The event was attended by the then British Prime Minister David Cameron and marked one of the largest celebrations of the Indian diaspora in the UK. Another defining moment in her career came in April 2018, when she was invited to perform at Buckingham Palace during the Formal Opening Ceremony of the Commonwealth Heads of Government Meeting (CHOGM). Representing India, she joined five distinguished violinists from different Commonwealth nations and musical traditions to perform a specially commissioned work before Her Majesty Queen Elizabeth II, Prime Minister Narendra Modi, British Prime Minister Theresa May, and Heads of Government from across the Commonwealth. The ceremony was broadcast live to audiences around the world. Beyond the concert stage, Jyotsna is deeply committed to music education. She serves as a Guest Faculty at universities and conservatoires around the world, including the University of Cambridge, where she delivers lectures and workshops comparing Indian and Western violin traditions, performance practice and improvisation. She is also the Artistic Director of the London International Arts Festival (LIAF) and Dhruv Arts, organisations dedicated to promoting Indian arts internationally through concerts, educational programmes and cross-cultural collaborations. Originally trained as a medical doctor, Jyotsna completed her postgraduate degree in Pathology before choosing to devote herself fully to music, bringing the same discipline and intellectual curiosity to her artistic career. Her outstanding contribution to music has been recognised with numerous honours and awards, including the 'Ganakalashree Award' from the Karnataka Ganakala Parishat, the 'Chanakya Award' from the Press Council of India, and the 'Vocational Excellence Award' from the Rotary Club of Bangalore. In recognition of her exceptional services to music and her contribution to promoting Indian culture internationally, Dr. Jyotsna Srikanth was appointed 'Member of the Order of the British Empire (MBE)'—United Kingdom's third highest civilian honours. She received the insignia from 'His Majesty King Charles III' at Windsor Castle in December 2023. Today, Dr. Jyotsna Srikanth continues to redefine the role of the contemporary Carnatic musician. Through her performances, compositions, educational work and international collaborations, she has become one of the most influential global ambassadors of South Indian classical music, inspiring audiences and musicians alike while ensuring that the timeless traditions of Carnatic music continue to flourish on the world stage.
Key moments
Performance Highlights
- Ganakalashree Dr. Jyotsna Srikanth is one of the foremost Carnatic violinists, composers, and global ambassadors of Carnaticmusic.
- She was conferred the MBE (Member of the Order of the British Empire), the third highest civilian award from the UK government from His Majesty King Charles III.
- She has performed at prestigious venues including the BBC Proms, Royal Albert Hall, Buckingham Palace & Wembley Stadium. She has released 10 solo albums, contributed to over 500 Indian film soundtracks under legendary composers like Ilaiyaraaja,
- A medical doctor with a postgraduate degree in Pathology, is also the Artistic Director of the London International Arts Festival and Dhruv Arts, a guest faculty member the University of Cambridge, has spent over three decades introducing and promoting Carnatic music to new audiences worldwide, including in remote parts of Europe where the genre was previously unknown along with seamlessly blending Carnatic music with other genres of music
Media & links